Sunday, 13 May 2012

Sketchbook work

I took my sketchbook and pencils on the train into London yesterday and had a great time exploring tree representation. I'm really obsessed with trees recently! 

I ended up looking into fractals when I got home, but I think the drawn ones look better than the computer generated ones. Still, I might draw some up as vector art and have a play for a Spoonflower fabric.





I watched Breaking Dawn part 1 today and had to pause and rewind whenever I saw this artwork. I have been searching for over an hour to try to find who made this - it looks like thick fabric panels - suede/leather/painted calico? Perhaps several layers? Then either painted or overstitched with the white tree. I thought it was just beautiful and it ended up in my sketchbook too.


Project 1, Stage 2, Exercise 1

I was really excited to start properly 'working'. I did have a moment of fear as I held my pencil over the first blank space though! I enjoyed the exercise though I think my marks might be very simplistic. I haven't got a huge array of different types of marks - but perhaps that is because I was trying hard to feel the 'mood' I was supposed to be conveying!

Fast and Slow

Sharp and Delicate

Hard and Soft

Bumpy, Smooth and Sensuous

Sad and Happy

I've actually learned a lot in this exercise! I've developed ways to not smudge my work, I've worked out how to 'fix' my work once its done, I've learned the pencil classifications: 

9H8H7H6H5H4H3H2HHFHBB2B3B4B5B6B7B8B9B
HardestMediumSoftest
and I've noticed simple things like how 'happy' and 'fast' make me want to do slanting 'forward' marks bottom left to top right and the reverse is true for 'slow' and 'sad'. 

Friday, 11 May 2012

Projects, Assignments, Assessments


My OCD kicks in at the beginning of courses so before I was 'allowed' to look at the course text I 'had' to read:
All the loose leaf letters and leaflets
OCA Website Guide
Study Skills
Assessment and how to get qualified
Keeping sketchbooks and learning logs
Looking at other artists
Getting the most out of your course
Student regulations, procedures and policies
'Before you start' section



Jotting some notes so that I can get my head properly around what I need to do for the course...

On learning logs and sketchbooks:
Must keep a learning log/blog AND a sketchbook TOO (but you can amalgamate).
“Sketchbook and learning log work constitute 20% of your marks for assessed work”
“If you are planning to get your work assessed, it is vital that you keep a good, thorough and comprehensive learning log. It forms 20% of your marks and you could fail if you do not show how you arrived at your final pieces of work by documenting the route you took to get there in your learning log.”
...these two slightly contradict?! Do I submit sketchbooks too or just learning logs? Will I need to rip out sketches from my sketchbook at any stage in order to show a cross-section of my work for assessment? If so should I consider a loose leaf sketchbook or perhaps only sketch on one side of the paper?!

Notes on learning logs:
Be honest. Analyse how the log is helping with the learning process. Add any tutor responses. Ask questions. Think about how to improve.
Analyse history of progress. Think about what I’ve learnt in the last stage. Think about how I will use the new information/knowledge/skill/technique in the future. Show an increasing understanding of the subject.
Reflect straight after finishing and then also later on as feelings might have changed.
At beginning - Hopes plans and expectations.

Notes on the learning blog:
Learning log links for different assignments – add tags?
i.e. reflection, broadening (i.e. books, exhibitions, learning points), assignment1, assignment2 etc
Some posts will have both reflection and assignment tags in them for example.

Projects
Regular intervals - break up learning into small manageable pieces
As the assignments require a 'representative sample of your work' the projects should be presentable and probably in A4/A3 size?

Assignments
More substantial set of tasks - bring together what you've learnt from projects. 
Assignments appear to be sent in the bag that the OCU provided which looks A3 sized, but for the final assessment everything should be mounted on A1/A2 sized card or board. This includes preparatory work including notes, samples and sketchbooks so I guess I don't need to rip out pages of sketchbooks and if assignments are presented on A3 then other samples and prep work can be mounted next to it in the A1/A2 board.
Looking forward each assignment asks for a representative sample of your work, some pages from your sketchbook (So I do have to rip them out? Or can they be photocopied?!), Learning log (link to here) and written reflections.

Assessments:
(one per course so 7 by the end of a degree)
Fill in Assessment Application Form – By last day of 2 months before i.e. for March Assessment Event application must be recived by 31st Jan.
Send work by 15th of Month Before and no earlier than 15th of 2 months before.

Notes on presenting work for assessment:
Quality of content
Well organised and clearly labelled
Don’t submit everything!
Read guidelines
Use signposts to show the studies for particular assignments
Show enthusiasm, motivation & determination
Label with name, student number, course submitted for and relevant assignment number
Max 15kg
Write a contents list and note which elements go with which assignment
Send flat
A1 size recommended [blimey - thats big]!
Make packaging reusable for return of work

Assessment Criteria:
This will be very important if I want to get good grades! I'll need to really examine if and how I'm demonstrating these points:
Demonstration of Technical and Visual Skills materials, techniques, observational skills, visual awareness, design and compositional skills
Quality of Outcome content, application of knowledge, presentation of work in a coherant manner, discernment, conceptualisation of thoughts, communication of ideas
Demonstration of Creativity imagination, experimentation, invention, development of a personal voice
Context reflection, research, critical thinking (learning log)

Overall:
I'm feeling really OCD about ripping pages out of a sketchbook! I keep thinking that the pages that are 'good' will no longer be a part of that sketchbook. I'm also thinking that if I have a 'good' page then I'll be reluctant to spend time on the reverse of that page because it might end up being glued onto something and lost forever! I know its a bit unhealthy but I also know it might end up being a bit of a 'block'. So I've decided that instead of sketching in my pretty handmade sketchbooks I'll work in an A4 (or A5 for travel) sketchbook where you can rip out the pages along perforation lines and I'll only work on one side of the page. Where I can I'll do the projects in my sketchbooks as well - so they'll be more 'workbooks' than sketchbooks. [I've looked at some of the projects and they specify 'take an A3 piece of paper etc so this probably wont be possible, but I can explore in my own way in my workbook] So that everything is a bit more cohesive I'll probably do a lot of 'musings' in my sketchbooks/workbooks too. I'll probably do less writing on the blog but will more likely scan in images and display them here.This way I can take out individual sheets to send for assignments, I can glue them onto A3 sheets for 'presentation of representative work' for assignments and I can also use them in the same way for the final A1/A2 sized assessment sheets. Nothing will get glued on and lost forever, and if I want to I can reassemble all the work together and glue it all into a prettier book - all the work will be back together again!

Tuesday, 8 May 2012

Kaleidoscope

I found this online kaleidoscope maker and LOVE it. I can see it being a source of inspiration when it comes to developing patterns or prints.

Heres a quick screencast of a pattern I threw together - I love how a random scribbling can turn into such lovely ornate tiles.


Monday, 7 May 2012

Book Thoughts - Creating Sketchbooks for Embroiderers and Textile Artists by Kay Greenlees

I already have this book so whilst I wait for my course materials and other reading list books to arrive I thought I'd read this one. I had this on my Amazon wishlist for a while and it was bought for me for a present. As usual with these books I hungrily devour all the pictures and don't read any of the writing.

I enjoy the photography in the book and found myself rushing through the reading just so that I could turn the page and study the next pages photos! After a while I did feel that many of the images are a little 'samey' - especially as the author has a lot of her own workbooks displayed. This makes sense of course but I felt like I wanted more variety, or perhaps to see more 'messy' or less 'curated' pages. I also thought that where other sketchbooks were analysed on the pages shown, the images from the author were described in too much detail - the final product of the project was described as well as the aims behind it (I think I was just put off by the feminist sentiments, which isn't really my thing).

I think I thought that during reading this book I would think 'thats it! - That is how I want to proceed with my sketchbooks'! Obviously that was not what the book was about. Neither was it about the technicalities of creating your own sketchbooks i.e. binding methods or anything like that.

The book was very good at motivation towards using your own sketchbooks and provided plenty of 'nudges' to get going. I have a feeling that some of the exercises are prescriptive and can be seen echoed throughout many art & design educational courses. I have however got plenty of ideas to get started, and I'm itching to imitate many of the authors ideas!

Now I'm wondering whether I need to keep a separate sketchbook and coursework book? Or a separate sketchbook and 'workbook' or are all the separate projects/assignments to be presented in separate books? Or can everything be thrown together in one workbook (as I would probably do if it were not for the requirement for assessment)!

A last thought about this book - the Publisher! Batsford are the publishers of the greatest sewing book of all time - the Batsford Encyclopaedia of Embroidery Stitches! I currently have this on loan (for almost 2 years now) from my future Mother-In-Law. She needs it back though and in searching for a picture of the cover to post I discovered that it wasn't all that expensive to purchase my own copy - so I did! Incidentally, if you search 'batsford encyclopedia embroidery stitches' into google image search as I did to find a picture... the second image in, right after the 'no image' thumbnail of the first image is MY STITCHING!!


 

Pinterest Pins

EDIT:
Pinterest redid the way you can share, link and embed pins. I've gone through the other posts and updated the images but for this post I'm just going to say.... just go to my Pinterest page kimdebling!!! I still pin regularly under Shape & Texture, Colour and Details as well as many other boards :)



So I've started using Pinterest - my page is under Kim Debling (ahem adopting my married name early as Kimberly-Ann was already taken and I don't want to sign up with Bishopp as I won't be one soon)!

I realised all this stuff should probably be in my learning log i.e. here. I was hoping there would be some fabulous way of embedding all my recently added pins in a blog but have found I need to do it one at a time. So here goes some of the ones I love the most....

Filed in the Shape & Texture Board:

I love the birds with the details cut almost like folky patterns on a Bavarian apron.I love the layered doilies and I love the colours - especially the silhouette black.
Source: flickr.com via Kim on Pinterest


I love the masculinity of this tie whilst still being beautiful. I love the transparency and layering and the muted blue and grey colours.
Source: vandashop.com via Kim on Pinterest


I used a sample of this wallpaper as a cover when I made a hand-bound art journal a while back. It looks and feels amazing - better in real life than this picture. I think I'm having a little obsession with the shapes and patterns made by branches. I've chosen the wrong time of the year to get obsessed by it as I'm actually feeling a little sad about the leaves covering up the beauty!


Filed under Colour. These colours are amazing. I really really hope I can develop my colour work to be able to produce such lovely combinations - ones that actually make my heart flutter like these do.


This came from another OCA student Gemma Travis (I've been browsing all the blogs already) - again, I hope that I can develop the skills to produce such great work. I love the texture, the layering, the colour and the composition.


Filed under Details. I regularly visit Sharon B's blog PinTangle whenever I have a moment to absorb detail. Her embroidery inspires me so much. Especially the sampler as I love the orderliness. I especially like some of her larger sections within the sampler that go crazy with surface embellishment but in a muted way - theres great assisi work, especially one section in bone colours that I can (and do) stare at for a long time|!
Source: pintangle.com via Kim on Pinterest

Saturday, 5 May 2012

In preparation

I've been a bit worried as I look through other students blogs about purchasing too many new craft items as I already have a bit of a hoarders treasure cave. I've also been a bit worried about time constraints and time-flow (i.e. I have lots of spare time one minute but I'll be sure to have no time at all when assignments are due in). So I've gathered a few links and done a bit of thinking to de-stress and prepare as fully as I can.

Weaving without a loom

Screen printing on the cheap

62 Textile Artists ...and ones I particularly love:



Other artists found that I like (so far):

  • Rebecca Sower (more mainstream, pincushions, journals, scrap flowers)
Reading the course sample I looked at the 'before you start' section. It says:
If you haven’t already done so, please write a paragraph or two about your experience to date. Add background information about anything that you think may be relevant for your tutor to know about you (your profile) – for example your experience of working with textiles so far, your reasons for starting this course and what you hope to achieve from it.
So here is my intro paragraph (edited 11 May) [Some bits I've taken out as I don't want the info online!] :


 
Hello, my name is Kim Bishopp. I’m studying Textiles 1: A Creative Approach and have set up a learning blog at http://kimstextiles.blogspot.co.uk. I studied Internet Computer Science at St Andrews, as well as Maths and Psychology. I specialised in Artificial Intelligence!

In my spare time I’ve always liked to be creative. I’ve sewn since I was young – mainly cross stitch then trying to design my own patterns. I then became fascinated with all types of embroidery. I like to look at things and work out how they are made. In 2009 I tried to spend no money on clothes as I wanted to make anything I needed (I ended up spending around £40, all in ‘emergencies’). The most complicated thing I’ve made was an inner-corseted ball gown with patchwork corset. I’m now sewing my own wedding dress as well as making my bridesmaid dresses, handmade flowers and other bits and bobs for my wedding. I own a miniature version of a Hobbycraft superstore stuffed into a triple wardrobe. The ‘contents’ of this wardrobe are also stacked on top of the wardrobe, under the bed, on some shelves, in a chest of drawers and in various other places in the house. I go through phases of obsessions. One month I might want to crochet a granny square blanket, one month I might design lots of patterns for ColourLovers.com and to enter into Spoonflower.com competitions. Other months I get obsessed by bookbinding, or sewing Steiner dolls. I have had a very irregularly updated crafts blog http://kimberlyanncrafts.blogspot.com/ and a craft tutorials youTube channel http://www.youtube.com/user/kimberlyanncrafts. I’ve been a member of the V&A for a few years and love to go to the exhibitions.

Perhaps one expectation (or wish) is to have a little bit of focus in my creative pursuits and to perhaps find a ‘style’ that I can call my own – or at least work towards one. I hope that one day I’ll be able to create the sorts of artwork that I love to look at online when I think ‘that’s beautiful’. I’d be happy if I can get through the course and NOT expand my ‘stash’. I’d also be wonderfully happy if I get through the course with enough enthusiasm and motivation to sign up for the next Textiles course, because I’d love to work towards the degree.